My research is animated by a curiosity about the intersections of visual culture and militarized violence, especially questions of affect, citizenship, and ethics.
My most recent book, Figuring Violence: Affective Investments in Perpetual War catalogs the affects that define contemporary American militarism: apprehension, affection, admiration, gratitude, pity, and anger. These affects constitute civilian children, military children, military spouses, veterans with PTSD and TBI, Guantánamo detainees, and military dogs as preferred objects of public sentiment. Tracking the imaginative work that sustains this process, I argue that such ‘figuring’ catches these beings in a cultural dynamic that erases them and renders them hypervisible at once.
Prior to that, in my first book, Beyond the Checkpoint: Visual Practices in America’s Global War on Terror, I mapped the visual circuits linking the terrorized American nation-state, its citizens, and its enemies by exploring the practices of image creation, circulation, and consumption that animate these relationships.
I’m delighted to have two collaborative projects keeping me busy now. I’m working with Wendy Kozol on a book about the quotidian visual cultures of living, dying, and surviving in conditions of militarized violence, The War In-Between. And Dave Kieran and I are co-editing a volume called New Cultures of Remote Warfare: Visions, Intimacies, and Reconfigurations, under contract with the University of Minnesota Press.
Officially, I’m an Associate Professor in the Department of Media and Communication Studies at the University of Maryland, Baltimore County (UMBC), where I teach classes on visual culture, media history and theory, and globalization. Beyond my work in my home department, I am also affiliate faculty in UMBC’s Department of Gender + Women’s Studies, and I have taught in the Intermedia and Digital Arts M.F.A. program. And in 2016, I received a University System of Maryland Regents’ Award for Excellence in Research.