Book
Beyond the Checkpoint: Visual Practices in America’s Global War on Terror. Amherst: University of Massachusetts Press, 2014.

Journal Articles
“‘That Was Mean, Motari’: Spectatorship, Sympathy, and Animal Suffering in Wartime.”  Unlikely: Journal for Creative Arts (Melbourne, Australia), 1 (April 2015). http://unlikely.net.au/issue-1/that-was-mean-motari-65.

With Wendy Kozol. “Discordant Affects: Ambivalence, Banality, and the Ethics of Spectatorship.”  Theory & Event 17, no.3 (2014).  https://muse.jhu.edu/journals/theory_and_event/toc/tae.17.3.html.

“Atrocity and Aporiae: Teaching the Abu Ghraib Images, Teaching Against Transparency.”  Cultural Studies Critical Methodologies 14, no. 1 (February 2014): 29-39.

“Pixelizing Atrocity.”  Philosophy of Photography 4, no. 1 (January 2014): 25-46.

“‘Safe, Humane, Legal, Transparent’: State Visions of Guantánamo Bay.”  Reconstruction: Studies in Contemporary Culture 12, no. 4 (February 2013). http://reconstruction.eserver.org/124/Adelman_Rebecca.shtml.

Chapters in Anthologies
“‘Coffins After Coffins’: Screening Wartime Atrocity in the Classroom.”  In The War of My Generation: Youth Culture and the War on Terror, edited by David Kieran, 223-245.  New Brunswick, NJ: Rutgers University Press, 2015.

“The Coffin, the Camera, and the Commodity: Visualizing American Military Dead at Dover.”  In On Not Looking: The Paradox of Contemporary Visual Culture, edited by Frances Guerin, 229-250.  New York: Routledge, 2015.

“Tangled Complicities: Extracting Knowledge from Images of Abu Ghraib.”  In Knowledge & Pain, edited by Esther Cohen, Leona Toker, Manuela Consonni, and Otniel E. Dror, 355-380.  Amsterdam: Editions Rodopi, 2012.