Beyond the Checkpoint: Visual Practices in America’s Global War on Terror. Amherst: University of Massachusetts Press, 2014.
With Wendy Kozol. “Unremarkable Suffering: Banality, Spectatorship, and War’s
In/Visibilities.” In In/Visible War: The Culture of War in Twenty-first-Century America, edited by John Louis Lucaites and Jon Simons, 89-110. New Brunswick, NJ: Rutgers University Press, 2017.
With Wendy Kozol. “Ornamenting the Unthinkable: Visualizing Survival Under Occupation.” WSQ: Women’s Studies Quarterly 44, no. 1-2 (Spring/Summer 2016): 171-187.
“‘That Was Mean, Motari’: Spectatorship, Sympathy, and Animal Suffering in Wartime.” Unlikely: Journal for Creative Arts (Melbourne, Australia), 1 (April 2015). http://unlikely.net.au/issue-1/that-was-mean-motari-65.
“Atrocity and Aporiae: Teaching the Abu Ghraib Images, Teaching Against Transparency.” Cultural Studies <-> Critical Methodologies 14, no. 1 (February 2014): 29-39.
“‘Suffering? You Haven’t Seen Anything Yet’: Rating the Global War on Terror in American Film.” Jura Gentium Cinema Dossier on Horror and Politics (December 2009). http://www.jgcinema.com/single.php?sl=global-war-terror-american-film.
“‘When I Move, You Move’: Thoughts on the Fusion of Hip-Hop and Disability Activism.” Disability Studies Quarterly 25, no. 1 (Winter 2005).
Chapters in Anthologies
“‘Coffins After Coffins’: Screening Wartime Atrocity in the Classroom.” In The War of My Generation: Youth Culture and the War on Terror, edited by David Kieran, 223-245. New Brunswick, NJ: Rutgers University Press, 2015.
“Tangled Complicities: Extracting Knowledge from Images of Abu Ghraib.” In Knowledge & Pain, edited by Esther Cohen, Leona Toker, Manuela Consonni, and Otniel E. Dror, 355-380. Amsterdam: Editions Rodopi, 2012.