Book
Beyond the Checkpoint: Visual Practices in America’s Global War on Terror.   Amherst: University of Massachusetts Press, 2014.

Journal Articles
With Wendy Kozol.  “Unremarkable Suffering: Banality, Spectatorship, and War’s In/Visibilities.”  In In/Visible War: The Culture of War in Twenty-first-Century America, edited by John Louis Lucaites and Jon Simons, 89-110.  New Brunswick, NJ: Rutgers University Press, 2017.

With Wendy Kozol.  “Ornamenting the Unthinkable: Visualizing Survival Under Occupation.”  WSQ: Women’s Studies Quarterly 44, no. 1-2 (Spring/Summer 2016): 171-187.

“‘That Was Mean, Motari’: Spectatorship, Sympathy, and Animal Suffering in Wartime.”  Unlikely: Journal for Creative Arts (Melbourne, Australia), 1 (April 2015).  http://unlikely.net.au/issue-1/that-was-mean-motari-65.

“Atrocity and Aporiae: Teaching the Abu Ghraib Images, Teaching Against Transparency.”  Cultural Studies  <-> Critical Methodologies 14, no. 1 (February 2014): 29-39.

“‘Suffering?  You Haven’t Seen Anything Yet’: Rating the Global War on Terror in American Film.” Jura Gentium Cinema Dossier on Horror and Politics (December 2009). http://www.jgcinema.com/single.php?sl=global-war-terror-american-film.

“‘When I Move, You Move’: Thoughts on the Fusion of Hip-Hop and Disability Activism.” Disability Studies Quarterly 25, no. 1 (Winter 2005).

Chapters in Anthologies 
“‘Coffins After Coffins’: Screening Wartime Atrocity in the Classroom.”  In The War of My Generation: Youth Culture and the War on Terror, edited by David Kieran, 223-245.  New Brunswick, NJ: Rutgers University Press, 2015.

“Tangled Complicities: Extracting Knowledge from Images of Abu Ghraib.”  In Knowledge & Pain, edited by Esther Cohen, Leona Toker, Manuela Consonni, and Otniel E. Dror, 355-380.  Amsterdam: Editions Rodopi, 2012.