“Atrocity and Aporiae: Teaching the Abu Ghraib Images, Teaching Against Transparency.” Cultural Studies <-> Critical Methodologies 14, no. 1 (February 2014): 29-39.
“Pixelizing Atrocity.” Philosophy of Photography 4, no. 1 (January 2014): 25-46. http://www.intellectbooks.co.uk/journals/view-Article,id=17055/.
“‘Safe, Humane, Legal, Transparent’: State Visions of Guantánamo Bay.” Reconstruction: Studies in Contemporary Culture 12, no. 4 (February 2013). http://reconstruction.eserver.org/124/Adelman_Rebecca.shtml.
Chapters in Anthologies
“The Coffin, the Camera, and the Commodity: Visualizing American Military Dead at Dover.” In On Not Looking: The Paradox of Contemporary Visual Culture, edited by Frances Guerin, 229-250. New York: Routledge, 2015.
“Re(con)figuring the Spectacle: State Flexibility in Response to Imaged Terror.” In Engaging Terror: A Critical and Interdisciplinary Approach [Selected Proceedings from the 2008 Human Condition Series Conference on Terror], edited by Marianne Vardalos et al, 149-158. Boca Raton, FL: Brown Walker Press, 2009.