Book
Beyond the Checkpoint: Visual Practices in America’s Global War on Terror. Amherst: University of Massachusetts Press, 2014.

Journal Articles
With Wendy Kozol.  “Ornamenting the Unthinkable: Visualizing Survival Under Occupation.” WSQ: Women’s Studies Quarterly 44, no. 1-2 (Spring/Summer 2016): 171-187.

“Pixelizing Atrocity.”  Philosophy of Photography 4, no. 1 (January 2014): 25-46.

“‘Thank You For Our Flat Daddy’: Photography, Imagination, and Citizenship as Child’s Play.” Photography & Culture 6, issue 1 (March 2013): 65-80.

“‘Safe, Humane, Legal, Transparent’: State Visions of Guantánamo Bay.”  Reconstruction: Studies in Contemporary Culture 12, no. 4 (February 2013). http://reconstruction.eserver.org/124/Adelman_Rebecca.shtml.

“Sowing the Sea: Visualizing Time, Terror, and Osama bin Laden.”  Continuum: Journal of Media & Cultural Studies 26, no. 5 (2012): 767-782.

“‘Suffering?  You Haven’t Seen Anything Yet’: Rating the Global War on Terror in American Film.” Jura Gentium Cinema Dossier on Horror and Politics (December 2009). http://www.jgcinema.com/single.php?sl=global-war-terror-american-film.

“Sold(i)ering Masculinity: Photographing the Coalition’s Male Soldiers.”  Men and Masculinities 11, no. 3 (April 2009): 259-285.

“‘When I Move, You Move’: Thoughts on the Fusion of Hip-Hop and Disability Activism.” Disability Studies Quarterly 25, no. 1 (Winter 2005).

Chapters in Anthologies
“‘Coffins After Coffins’: Screening Wartime Atrocity in the Classroom.”  In The War of My Generation: Youth Culture and the War on Terror, edited by David Kieran, 223-245.  New Brunswick, NJ: Rutgers University Press, 2015.

“The Coffin, the Camera, and the Commodity: Visualizing American Military Dead at Dover.”  In On Not Looking: The Paradox of Contemporary Visual Culture, edited by Frances Guerin, 229-250.  New York: Routledge, 2015.

“Tangled Complicities: Extracting Knowledge from Images of Abu Ghraib.”  In Knowledge & Pain, edited by Esther Cohen, Leona Toker, Manuela Consonni, and Otniel E. Dror, 355-380.  Amsterdam: Editions Rodopi, 2012.

“‘Fort Living Room’: Gender, Race, Class, Sexuality, And Sentiment In Last Letters Home.” In Culture, Trauma, and Conflict: Cultural Studies Perspectives on War, edited by Nico Carpentier, 21-45.  Newcastle upon Tyne: Cambridge Scholars Publishing, 2007.  Second edition released in 2015.